Ghostbird
Notes
This long, immersive soundscape was created for Louise Ann Wilson's
Ghost Bird, - a silent walk
and live art installation specific to an upland valley in the Trough of Bowland, north-west England.
The only indoor element of Ghost Bird, in a firelit shooting barn, was an extended dance sequence,
choreographed by Nigel Stewart and performed by Julia Griffin over the 5-hour duration of the work.
The soundscape was made in 4 separate and semi-independent tracks of different durations and textures,
three based on water sounds from the valley's river at its nearest point to the barn.
The fourth track used recordings of game-bird shoots.
Some of the tracks ran in a fixed sequence and others in random order, so that the final mix
varied continuously over the duration of the installation.
They were played from mp3 players hidden within the scene-dressing of the barn.
In performance, the water and abstract soundscape mingled with the natural sounds from outside - the river,
the wind, and the rain on the corrugated iron roof of the barn. The occasional bursts of shot-gun fire
mingled with the crackling of the wood fire warming and lighting the barn.
In 2013, Ghost Bird was re-worked for gallery presentation. Documentary photographs were displayed,
along with the most striking artefacts from the original installations. The sound was once again
presented in a small and intimate setting within the overall exhibition from hidden loudspeakers.
Performances and Exhibitions
- Ghost Bird, Forest of Bowland, 15 and 16 September 2012
- Transformed Double Bill, Peter Scott Gallery, Lancaster University, 7 October - 6 December 2013
- Ghost Bird Exhibition at the RSPB Visitor Centre, Geltsdale, Cumbria, 18 January - 4 April 2014